Der Schauspieldirektor – Costume Diary, Part 5 (Hats!)

23 Dec

My costumes are now complete for my upcoming Der Schauspieldirektor photo shoot. I have created all the costumes for this shoot myself.

Previous Posts in this Series:

  1. My first post follows the making of the corsets for both ladies.
  2. The second post takes a look at my embroidery process, and brief reviews of some of the movies I viewed while sewing.
  3. The third post shows how I put together my Jacket and Gilet.
  4. My fourth post shows the inspiration and final pigeon breasted drawstring-front jacket.

I spent the last week making hats, wigs, accessories and padding. In this post I would like to share with you the hats and wigs I created.

For my first hat, I drew mainly upon the image below for inspiration. But I also visited a charming site dedicated to historical hats with many great pictures called Hats From History!

Redingote gown — Velvet jacket and sash with tassels, satin revers, cuffs and train-lingerie tie and jabot-gauze with scalloped edge and checked embroidery. Gold buttons, powdered hair, hat of dotted gauze, ostrich, embroidery and flowers. Cane with carved bird and ribbon 1787.

I took a straw hat that I already owned, added milliner’s wire to the edge and covered the bottom of the brim with silk to match the drawstring bodice. I made a little buckle for the hat and adorned it with feathers.

My upcycled straw hat. I used a gardening hat and adorned it in the 1700s style! It is placed on top of a wig I styled myself.

As for my second hat, I documented the process for you!

I used Butterick Pattern B4210, the Turn of the Century hat, with no alteration to the structure (Buckram, Milliner’s Wire, size, etc.) However, I did not follow the directions on how to decorate or line the hat.

My silk hat pieces cut out. The top of the hat has already been constructed in this image.

I put together the brim, sewed the wire to the buckram, and then decided the lining side of the hat should be pleated silk!

So I took some ivory silk and laid it out on the buckram form to see how much I would need.

I laid out some ivory silk over the buckram brim, and did a rough pleating to see how much silk I would need.

Once I had figured out how much silk I would need, I stitched two lengths of fabric together and pleated them around the brim. I left excess fabric on both edges, because it is easier than making a mistake that can’t be fixed later if you come up short.

I pleated and pined the silk to the buckram form, then stiched the center and outer edges to hold them in place.

Once the pleating was stitched on, I trimmed the edges and cut out the center circle.

I trimed the outer edge and cut out the center circle.

Next, I sewed the blue silk to the opposite side to be the outer brim of the hat. This silk has a fusible interfacing to keep it forever flat.

Next, I sewed the blue silk on the opposite side.

It was then time to add the bias strip to the outer edge. I made the strip out of the same blue silk to match.

I used some bias tape that I made from my silk fabric to bind the edges and cover the milliner’s wire.

Next, I sewed the top of the hat to the brim. When you trim the seam allowances, you can turn them and stitch or glue them down so that there is extra hold inside the brim. The picture below shows the stitched and glued tabs. The pins hold the glued tabs in place.

Next, I sewed the top of the hat to the brim, and glued the notched tabs in place.

I cut a little circle of lining, and used an off-white grosgrain ribbon for the sweat band on the inside.

Finally, I added a lining and a grosgrain ribbon hat band inside the brim.

Now the finished form of the hat was complete, and I could choose how to decorate it.

The hat all sewn together as seen from the top. No decoration has been added yet.

I used ostrich feathers, a ribbon bow and a cameo pin to decorate the hat. However, the main reason I pleated the lining was because it was always my intention to show it off.

I shaped the hat over the wig, as you can see in the images below.

My completed hat with feathers, etc. on top of the wig. I also styled the wig myself.

The way the hat is bent allows you to see the top and bottom at the same time! It’s very pretty!

I used Epic Cosplay Curly Mid Part Wig, if you are interested.

Another view of my finished hat from the front.

I also made some accessories. All the dresses from the 1790s have little tabs hanging from the bodices. I knew their history but not what they were called, so I asked Alisa. She used her Google Ninja skills and discovered that they are called Chatalaines, Equipages, Fobs or Macaronis!

After looking them up to price them, I quickly discovered that it was necessary to build my own. I found a metal frame at Michael’s (Scrapbooking Section) and used a portrait of Mozart from a little book I got in the mail. I also bought some ribbon clamp ends, which I was so relieved to discover existed! (I always had a suspicion, but had never had my suspicions confirmed until now.) I bought mine from thunderrockalley21 on Etsy.

I covered the portrait in a thick varnish to make it look like a painting.

My Mozart Portrait Chatalaine (Equipage, Fob, Macaroni or what you will!)

I used a basic grosgrain ribbon for the attachment as well as a pretty little hook to clip it to the skirt.

That’s all for today! Next time you hear from my, my photo shoot will be done!

Der Schauspieldirektor, here I come!

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9 Responses to “Der Schauspieldirektor – Costume Diary, Part 5 (Hats!)”

  1. Lauren R December 23, 2011 at 12:54 pm #

    It’s so fabulous and perfect! I am very inspired by this. And please, please do a tutorial or give us some insight for the cosplay wig you turned into that fabulous hedgehog!

    • tysonvick December 25, 2011 at 1:02 pm #

      Thank you, Lauren! I’m very pleased with the way my wigs turned out, too! Again, I used that Kyoto Costume Institute photo that inspired my costumes to inspire the wigs as well! Maybe I will have to do that tutorial for you!

  2. Taylor Shelby December 23, 2011 at 1:01 pm #

    I’m so glad you’re enjoying my Hats from History blog! If I’m helping to inspire amazing millinery such as this, then my mission is complete! You should also check out my fashion plate blog at: http://damesalamode.tumblr.com since you like historic fashion!

    This hat is gorgeous! I can’t resist sharing it!

    • tysonvick December 25, 2011 at 1:06 pm #

      I do like your Hats From History blog, and I will look at the Fashion Plate one too! Thanks for sharing my hat!

  3. Gladys Love March 4, 2012 at 9:41 pm #

    Hi Tyson. I am particularly enjoying your hats. When I was in Pittsburgh for the release of my book, I was told that I had to wear something noticeable so that people could recognize me. I was told that wearing black and jewelry wasn’t enough. Later the same day I was in a store in Pittsburgh and was trying on a hat. I love them but they aren’t popular where I live so I was in heaven with a selection of dress hats to try. I put one on and turned around and a very tall African American woman said “Oh honey, that DO look good on you.” I bought it instantly (with a hat box), and ever since I wear it when I’m at a book signing or teaching a class. I’d love to know how to make my own!

    • tysonvick March 5, 2012 at 12:01 am #

      Hi Gladys! It’s great that you found a hat that looks good on you! I think it’s funny how certain hats really do bring out specific personality traits, and can change a person’s look!

      I’ve only made buckram & wire hats so far, aside from the odd craft foam headdress, and all I can say is that hats are much more of an exact science than garment making. Challenging, but fun!

  4. Jana May 23, 2013 at 1:42 pm #

    Absolutely gorgeous! Would you consider doing a how-to on how you turned that cosplay wig into that work of art!!!!

  5. ladywg December 23, 2013 at 1:22 pm #

    Reblogged this on World of the Marchioness.

  6. Tina Libè January 23, 2014 at 7:27 am #

    Really fabulous!
    I’m not an expert I just have a passion for chatelaines, but as far as I know chatelaines and equipages are the same thing, and I’ve always seen them with many small chains (never seen less than 3, more usual 5 to 7, sometimes many more) to which objects were attached (things like sewing scissors, timbles, watches, keys, practical things to carry around while fashion was averse to pockets, but also decorative items). So I wouldn’t call that a chatelaine by itself.
    Fobs I have always seen used in reference to pocket watches but it feels to me more appropriate (also comparable to a key fob… makes sense to me)
    Macaronis are new to me, if I had seen the flickr picture linked without reading the article I would have tought that it was called like that because the watch reminded of a macaron :)
    Thanks for sharing

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